Part Two: Fauvism as a Prelude To WW1
Finding meaning in Donatello’s reaction to the wild and sexy beast. Instruments of line, texture, color, composition, shape, form and gusto. Fauvism (1890 to 1906) is the second break, away from Post-impressionism to explain the war of (1914). Read Donatello’s reaction in Volume One of the series. Protagonist and Antagonist, behind the iron curtain: “Serbia was backed by Russia, France and Britain. Russia’s partners in the Triple Entente. Germany (with reservations) backed it’s Austrian ally. A flurry of diplomacy failed to break the deadlock. Austria-Hungary declared war on Serbia on july 28th, 1914. Russia mobilized it’s troops the next day, ostensibly to defend Serbia and itself from Austria-Hungarry.”
Major Powers Mobilized, WW1. Within two months of the incident at Sarajevo, 17 million soldiers were mobilized from eight nations and their far-flung colonies. At the outset, strategist for both the Allies (the countries grouped around France, Britain and Russia) and the Central Powers (those siding with Germany and Austria-Hugary) predicted a brief war (1914 to 1919).
During the war hundreds of thousands of men were lost in a matter of weeks because of the efficiency of modern weaponry. Generals realized that fighting on open ground was suicidal, so each army built lines of trenches, which soon zigzagged hundreds of miles from the English channel to Switzerland. There, the front would remain for four years, barely moving, as incessant shelling obliterated everything around it, turning the land into a desolate moonscape.
The prelude to war, Circa 1914: “Archduke Franz Ferdinad knew his first official visit to Sarajevo would be dangerous. The capital of Bosnia and Hercegovina twin provinces once part of Serbia, later conquered by Turkey then occupied and finally annexed by Austria-Hungary– had become a hotbed of pan-Serbian nationalism.
The assasination of the Duke and his wife were the catalyst for the war, not it’s cause. WW1 brought new diabolism to the age-old art of mass killing, as chemical warfare took a prominent place along side old-fashioned, mechanical weaponry. Gas-chlorrine and tear, followed by the more lethal mustard and phosgene was tried by the French, allies and the Germans, alike. It was a decade seared by the most horrible war the world had ever known. When the fighting stopped, Victorian innocence had expired and the modern world begun.”
Collage Inspired Joy Fauvist Type Cards.

Fauvism Gallery, Artist Statements






A world of possibilities
Fauvism Inspired Digital Composite Art Tree & Joy. Using photography as a ways and means to further inquire, poke, probe and enlighten. To the Fed, against China, we run for answers: On the first 100 days, (Jan 20th 2025 & Beyond) a note from the wise, to our leaders. TPP, Mars, Technology, Blockchain and Biomedical. Amongst the headlines we are focusing, on.
“For analysts of the Chinese economy, questions about the accuracy of the country’s official GDP data are a frequent source of angst, leading many to seek guidance from alternative indicators. These nonofficial gauges often suggest Beijing’s growth figures are exaggerated, but that conclusion is not supported by our analysis, which draws upon satellite measurements of the intensity of China’s nighttime light emissions—a good proxy for GDP growth that is presumably not subject to whatever measurement errors may affect the country’s official economic”
The Beyond, represents Bathrobes not made in Chinatown, Mr-IP. Is Chinese Growth Overstated? NY Federal Reserve System. 2017
Forthcoming essays (Chris-Mas: Volumes 3 & 4) further discusses relational and contemporaneous issues. Between war and economic peace we find meaning in the act of creation. Moreover, in Volume two we clearly began to identified how to become Postmodern.
With Fauvism distorted and wild expression, we can now hopefully understand, war. Along with these galleries by conceptual artist, Salvador DC. We draw a connection to engage the present Postmodern. Contemporary art seen through historical lenses, between frames and mind. We find meaning.





Essay’s References and Digital Footnotes



Fauvism: The Metropolitan Museum of Art. Key historical figures and artist to know.
DaDa: Historial frameworks.
The Federal Reserve: NYC. Is Chinese Growth Overstated.
Understanding Deconstruction in art and philosophy.

Artist Manual: A veritable bible for painters, and illustrators, this exciting, hands on volume is perfect for beginners and accomplished artist. The most up-to-date and comprehensive reference book available. ISBN: 0-8118-1377-0

Comprehensive and insightful, History of Modern Art: Painting, Sculpture, Architecture, Photography is the definitive source of information on the modern era. The fourth edition is a freshly retold story of the art and artist of the last 150 years from modernist mid-nineteenth century European beginnings to todays divergent art trends. ISBN: 0-8109-34396

Our Times: The most ambitious illustrated history of our century yet created, our times brings together the knowledge, judgement, talent and insight of a top-flight editorial and research staff ab extraordinary team of graphic artist, a group of distinguished writers and the powerful resource of turner publishing. ISBN: 1-878685-58-9

Art notes and doodles, from the author’s hand to your sensorial eyes.

