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In 1986 he created a 3,000- square-meter sculpture in the great courtyard of the Palais Royal, in Paris: Les Deux Plateaux, more commonly referred to as the Colonnes de Buren ("Buren's Columns"). This provoked an intense debate over the integration of contemporary art and historic buildings. In 1993, Buren was commissioned to design the work in situ, Poser/Déposer/Exposer, for the Café Richelieu at the Louvre in collaboration with Jean-Pierre Raynaud.https://artsjournal.online/wp-content/uploads/2015/07/screenshot66.jpgDaniel BurenNotes On Conceptual Art- From 1960 on, Buren designed a number of permanent site-specific installations in the United States, Belgium, France, and Germany. In 1986 he created a 3,000- square-meter sculpture in the great courtyard of the Palais Royal, in Paris: Les Deux Plateaux, more commonly referred to as the Colonnes de Buren ("Buren's Columns"). This provoked an intense debate over the integration of contemporary art and historic buildings. In 1993, Buren was commissioned to design the work in situ, Poser/Déposer/Exposer, for the Café Richelieu at the Louvre in collaboration with Jean-Pierre Raynaud.https://artsjournal.online/wp-content/uploads/2015/07/screenshot58.jpgDaniel BurenNotes On Conceptual Art- From 1960 on, Buren designed a number of permanent site-specific installations in the United States, Belgium, France, and Germany. In 1986 he created a 3,000- square-meter sculpture in the great courtyard of the Palais Royal, in Paris: Les Deux Plateaux, more commonly referred to as the Colonnes de Buren ("Buren's Columns"). This provoked an intense debate over the integration of contemporary art and historic buildings. In 1993, Buren was commissioned to design the work in situ, Poser/Déposer/Exposer, for the Café Richelieu at the Louvre in collaboration with Jean-Pierre Raynaud.https://artsjournal.online/wp-content/uploads/2015/07/screenshot48.jpgDaniel BurenNotes On Conceptual Art- From 1960 on, Buren designed a number of permanent site-specific installations in the United States, Belgium, France, and Germany. In 1986 he created a 3,000- square-meter sculpture in the great courtyard of the Palais Royal, in Paris: Les Deux Plateaux, more commonly referred to as the Colonnes de Buren ("Buren's Columns"). This provoked an intense debate over the integration of contemporary art and historic buildings. In 1993, Buren was commissioned to design the work in situ, Poser/Déposer/Exposer, for the Café Richelieu at the Louvre in collaboration with Jean-Pierre Raynaud.https://artsjournal.online/wp-content/uploads/2015/07/screenshot38.jpgDaniel BurenNotes On Conceptual Art- From 1960 on, Buren designed a number of permanent site-specific installations in the United States, Belgium, France, and Germany. In 1986 he created a 3,000- square-meter sculpture in the great courtyard of the Palais Royal, in Paris: Les Deux Plateaux, more commonly referred to as the Colonnes de Buren ("Buren's Columns"). This provoked an intense debate over the integration of contemporary art and historic buildings. In 1993, Buren was commissioned to design the work in situ, Poser/Déposer/Exposer, for the Café Richelieu at the Louvre in collaboration with Jean-Pierre Raynaud.https://artsjournal.online/wp-content/uploads/2015/07/screenshot28.jpgDaniel BurenNotes On Conceptual Art- From 1960 on, Buren designed a number of permanent site-specific installations in the United States, Belgium, France, and Germany. In 1986 he created a 3,000- square-meter sculpture in the great courtyard of the Palais Royal, in Paris: Les Deux Plateaux, more commonly referred to as the Colonnes de Buren ("Buren's Columns"). This provoked an intense debate over the integration of contemporary art and historic buildings. In 1993, Buren was commissioned to design the work in situ, Poser/Déposer/Exposer, for the Café Richelieu at the Louvre in collaboration with Jean-Pierre Raynaud.https://artsjournal.online/wp-content/uploads/2015/07/screenshot18.jpgDaniel BurenNotes On Conceptual Art- From 1960 on, Buren designed a number of permanent site-specific installations in the United States, Belgium, France, and Germany. In 1986 he created a 3,000- square-meter sculpture in the great courtyard of the Palais Royal, in Paris: Les Deux Plateaux, more commonly referred to as the Colonnes de Buren ("Buren's Columns"). This provoked an intense debate over the integration of contemporary art and historic buildings. In 1993, Buren was commissioned to design the work in situ, Poser/Déposer/Exposer, for the Café Richelieu at the Louvre in collaboration with Jean-Pierre Raynaud.https://artsjournal.online/wp-content/uploads/2015/07/screenshot73.jpgDonald JuddNotes On Conceptual Art- Judd taught at several academic institutions in the United States: The Allen-Stevenson School (1960s), Brooklyn Institute of Arts and Sciences (1962–64); Dartmouth College, Hanover (1966); and Yale University, New Haven (1967). In 1976 he served as Baldwin Professor at Oberlin College in Ohio. Beginning in 1983, he lectured at universities across the United States, Europe and Asia on both art and its relationship to architecture. During his lifetime, Judd published a large body of theoretical writings, in which he rigorously promoted the cause of Minimalist Art; these essays were consolidated in two volumes published in 1975 and 1987https://artsjournal.online/wp-content/uploads/2015/07/screenshot65.jpgDonald JuddNotes On Conceptual Art- Judd taught at several academic institutions in the United States: The Allen-Stevenson School (1960s), Brooklyn Institute of Arts and Sciences (1962–64); Dartmouth College, Hanover (1966); and Yale University, New Haven (1967). In 1976 he served as Baldwin Professor at Oberlin College in Ohio. Beginning in 1983, he lectured at universities across the United States, Europe and Asia on both art and its relationship to architecture. During his lifetime, Judd published a large body of theoretical writings, in which he rigorously promoted the cause of Minimalist Art; these essays were consolidated in two volumes published in 1975 and 1987https://artsjournal.online/wp-content/uploads/2015/07/screenshot57.jpgDonald JuddNotes On Conceptual Art- Judd taught at several academic institutions in the United States: The Allen-Stevenson School (1960s), Brooklyn Institute of Arts and Sciences (1962–64); Dartmouth College, Hanover (1966); and Yale University, New Haven (1967). In 1976 he served as Baldwin Professor at Oberlin College in Ohio. Beginning in 1983, he lectured at universities across the United States, Europe and Asia on both art and its relationship to architecture. 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color pencil on oil stained paper. 8.5x11in by DSC (2004)https://artsjournal.online/wp-content/uploads/2015/06/yellowform1.jpgYellow Form1Form studies, Medium: graphite, color pencil on oil stained paper. 8.5x11in by DSC (2004)https://artsjournal.online/wp-content/uploads/2015/06/post_it_collage3.jpgPost_It_CollagePost-It-drawings by DSC (2004) https://artsjournal.online/wp-content/uploads/2015/06/post_it_collage2.jpgPost_It_Collage Series2Post-It-drawings by DSC (2004) https://artsjournal.online/wp-content/uploads/2015/06/post_it_collage1.jpgPost_It_Collage Series1Post-It-drawings by DSC (2004) https://artsjournal.online/wp-content/uploads/2015/06/portrait3.jpgPortraitSelf Portrait, Medium: Pencil on 9x12in paper, (2004) by DSChttps://artsjournal.online/wp-content/uploads/2015/06/portrait2.jpgPortraitSelf Portrait, Medium: Pencil on 9x12in paper, (2004) by DSChttps://artsjournal.online/wp-content/uploads/2015/06/portrait1.jpgPortraitSelf Portrait, Medium: Pencil on 9x12in paper, 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$27.00 @socialconceptedchttps://artsjournal.online/wp-content/uploads/2013/11/featue-img.jpgFeatue-Img2014-07-04T21:21:49+00:00monthlyhttps://artsjournal.online/2013/08/09/content-is-king/https://artsjournal.online/wp-content/uploads/2013/08/feature-img1.jpgContent Is King2013-12-09T01:23:16+00:00monthlyhttps://artsjournal.online/2013/10/27/diy-wordpress-essentials/https://artsjournal.online/wp-content/uploads/2013/10/wp101-essential-feature-cover-art1.jpgWP101-Essential-Feature-Cover-Arthttps://artsjournal.online/wp-content/uploads/2013/10/wp101-essential-feature-cover-art.jpgWP101-Essential-Feature-Cover-Art2014-06-10T18:46:27+00:00monthlyhttps://artsjournal.online/2013/11/05/the-lean-startup/https://artsjournal.online/wp-content/uploads/2013/11/feature-media1.jpgFeature-Mediahttps://artsjournal.online/wp-content/uploads/2013/11/article_coverart.jpgArticle_CoverArtCTTDC | Project 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Mag2013-10-13T23:47:22+00:00monthlyhttps://artsjournal.online/2013/07/16/summer-project-series/https://artsjournal.online/wp-content/uploads/2013/07/blog-imagefeature.jpgAbout DSC2013-08-08T20:58:10+00:00monthlyhttps://artsjournal.online/2013/08/04/inspirational-bouquets/https://artsjournal.online/wp-content/uploads/2013/08/feature-img.jpgFeature-Img2013-08-08T00:06:35+00:00monthlyhttps://artsjournal.online/2013/08/05/a-tale-of-two-fellows/https://artsjournal.online/wp-content/uploads/2013/08/cup_img.jpgCup_img2013-08-05T16:22:42+00:00monthlyhttps://artsjournal.online/2013/07/15/state-of-the-think-tank/https://artsjournal.online/wp-content/uploads/2013/04/flower-1.jpgInspirational Bouquetshttps://artsjournal.online/wp-content/uploads/2013/04/dc2.jpgDavid S ConcepcionI am a web designer with a small web design practice in North Bergen NJ. 2013-07-22T14:56:55+00:00monthlyhttps://artsjournal.online/2013/06/15/sol-lewitt-at-the-park/https://artsjournal.online/wp-content/uploads/2013/07/img_0624.jpgSol LewittSolomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including Conceptual art and Minimalism.[1] LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, and painting. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965.https://artsjournal.online/wp-content/uploads/2013/07/img_0623.jpgIMG_0623https://artsjournal.online/wp-content/uploads/2013/07/img_0622.jpgIMG_0622https://artsjournal.online/wp-content/uploads/2013/07/img_0621.jpgSol LewittSolomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including Conceptual art and Minimalism.[1] LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, and painting. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965.https://artsjournal.online/wp-content/uploads/2013/07/img_0620.jpgSol LewittSolomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including Conceptual art and Minimalism.[1] LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, and painting. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965.https://artsjournal.online/wp-content/uploads/2013/07/img_0619.jpgSol LewittSolomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including Conceptual art and Minimalism.[1] LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, and painting. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965.https://artsjournal.online/wp-content/uploads/2013/07/img_0618.jpgIMG_0618https://artsjournal.online/wp-content/uploads/2013/07/img_0617.jpgIMG_0617https://artsjournal.online/wp-content/uploads/2013/07/img_0616.jpgSol LewittSolomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including Conceptual art and Minimalism.[1] LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, and painting. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965.https://artsjournal.online/wp-content/uploads/2013/07/img_0615.jpgSol LewittSolomon "Sol" LeWitt (September 9, 1928 – April 8, 2007) was an American artist linked to various movements, including Conceptual art and Minimalism.[1] LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, and painting. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965.2013-07-22T14:56:38+00:00monthlyhttps://artsjournal.online/2013/04/01/for-the-love-of-print/https://artsjournal.online/wp-content/uploads/2013/04/feature-img.pngCTTDC-feature imagehttps://artsjournal.online/wp-content/uploads/2013/04/post-img-gallery.pngFor The Love Of PrintFor The Love Of Print | Site Design Concept | Coming Soon 20132014-07-29T04:51:09+00:00monthlyhttps://artsjournal.online/2013/03/26/cttdc-infographicdesign/https://artsjournal.online/wp-content/uploads/2013/03/feaute-img.pngCTTDC | Feature Image Designhttps://artsjournal.online/wp-content/uploads/2013/03/cttdc-3.pngCreative ThinK Tank DCCTTDC | Our Culture Design Typehttps://artsjournal.online/wp-content/uploads/2013/03/the-unincorporated-woman-2.pngDesign Collage Series OneCreative Think Tank DChttps://artsjournal.online/wp-content/uploads/2013/03/texture-composition-1.pngDesign Collage-Series OneDesign Collage | Series One Creative Think Tank DC2013-07-22T14:55:37+00:00monthlyhttps://artsjournal.online/2013/03/16/web-design-workflows/https://artsjournal.online/wp-content/uploads/2013/03/feature-img-1.jpgCreative Think Tank DC_Original Feature Arthttps://artsjournal.online/wp-content/uploads/2013/03/css-tricks.pngCreative Think Tank DC_icon designCSS Trickshttps://artsjournal.online/wp-content/uploads/2013/03/smahing-magazine.pngCreative Think Tank DC_icon designSmashing Magazinehttps://artsjournal.online/wp-content/uploads/2013/03/code-org.pngCreative Think Tank DC_icon designCode.Orghttps://artsjournal.online/wp-content/uploads/2013/03/lynda-com.pngCreative Think Tank DC_icon DesignLynda.Comhttps://artsjournal.online/wp-content/uploads/2013/03/wordpress_meet-up.pngCreative Think Tank DC_icon DesignWP-Meet Ups NYChttps://artsjournal.online/wp-content/uploads/2013/03/learnable.pngCreative Think Tank DC_icon designLearnablehttps://artsjournal.online/wp-content/uploads/2013/03/code-acedemy.pngCreative Think Tank DC_code iconCode Academyhttps://artsjournal.online/wp-content/uploads/2013/03/creative-think-tank-dc_infographic_web.pngCreative-Think-Tank-DC_InfoGraphic_webHeadings In HTMLhttps://artsjournal.online/wp-content/uploads/2013/03/creative-think-tank-dc-info-graphic.pngCreative-Think-Tank-DC-Info-graphicWeb Fundamentals2013-07-22T14:55:11+00:00monthlyhttps://artsjournal.online/2013/03/12/the-beta-issue/https://artsjournal.online/wp-content/uploads/2013/03/culture1.pngCTTDC_CultureIdeas, concepts. thoughts and the principles of design are discussed. A long journey towards the development of long term projects. American Otaku Serieshttps://artsjournal.online/wp-content/uploads/2013/03/01_facebook.pngCreative Think Tank DC_Fan PageFan Pagehttps://artsjournal.online/wp-content/uploads/2013/03/feature-image1.jpgDavid S ConcepcionI am a web designer with a background in fine arts and digital mediahttps://artsjournal.online/wp-content/uploads/2013/03/culture.pngCTTDC_CultureIdeas, concepts. thoughts and the principles of design are discussed. A long journey towards the development of long term projects. American Otaku Serieshttps://artsjournal.online/wp-content/uploads/2013/03/tech.pngCTTDC_TechnologyTechnology is the melting glue that makes it all work for me. A modern platform for the visual creative. Learning about basic web programing fundamentals is a big goal for me.https://artsjournal.online/wp-content/uploads/2013/03/design.pngCTTDC_DesignWeb design is a new kind of specialty in my toolbox these days. From a monetary and self interest prespective https://artsjournal.online/wp-content/uploads/2013/03/art-1.pngCTTDC_ArtArts for Art Sake |Editorial2014-05-04T16:48:06+00:00monthlyhttps://artsjournal.onlinedaily1.02026-05-19T07:01:15+00:00