From 1946 to 2025: “Spin in Peace”

David Lynch was a visionary film director, painter, poet and writer. Leaving behind nearly four volumes, decades worth of an immersive body of work. The 78 year old creative, has died (January 16th 2025) after after announcing an emphysema diagnosis. Sadly departing the Earth, in more ways one can imagine. He will be missed as the most innovative and surrealist director of the 20th Century.

Surrealist Visionary Film Maker

Personally, my top five films are amongst my favorite, for their uncanny cinematography delivery. I saw these films at the Quad Cinema, NYC during my formative years. This was between 1998 and 2002. I am delighted to share my thoughts. The artist, thus spoke to us on the topic behind film, score, composition and cinematography inspiration.

  1. Blue Velvet
  2. Mulholland Drive
  3. Lost Highways
  4. Eraserhead
  5. Twin Peaks

Furthermore, I want to emphasize why Surrealism is an important art movement to learn. To digest and give value, while understanding Lynch’s Mise-en-Scene. Both Surrealism and film where invented during the roaring 20’s.

A time of Gatsby, prohibition and economic excess, (right before the crash in 1929) other than in Germany. The world seem to have it all, between double exposure film motifs. Seen on screen with the debut of Battleship Potemkin. Not to mention Salvador Dali Surrealist masterworks in painting to set the proper historical and influential scene. The roaring 20’s indeed is seen though the lens of understanding Surrealism. Allowing time and tempo to appreciate David Lynch work, in our 21st Century discourse.

Surrealist artist salvador dali
Art installation by Surrealist artist, Salvador Dali. Surrealism is about decoding dreams by using visual language to express peace, joy and Utopia. In a world fill with negative emotions, Surrealism attempts to make sense of the world.

David Lynch dreamy cinematography lends itself well to allegorical narratives and the interpretation of dreams. In visual art, Surrealism is about interpreting Freud’s concepts. Lynch, a painter himself would have understood how to compose the art of film making with cinematic clairvoyance.

Surrealism on the other hand, attempts to illustrate two idealistic frameworks: Psychiatric literature with visual art that is meant to distill Freud’s interpretation of dreams.

The literary side encompasses works by Andre Breton and Georges Bataille. On the visual side (gallery below) of things works by: Dali, Max Ernst and Hans Bellmer. These surrealist artist and writers are inspirational muses. Often employing dreamy and obscure visual art aesthetic.

Surrealism attempts to illustrate Freud’s ideas by interpreting unconscious experiences. Contrary, Lynch is trying to develop a body of work in like manner to uncanny topic matter that beckons back to Surrealist interpretation. How is the Uncanny revealed, in film?

The Uncanny, is revealed by setting the proper scene. “Mise-en-Scene”

Contrary to surrealism nevertheless, Lynch attempts to collage surrealist visual style by combining score, double exposure, horror and elements relating to erotic voyeurism. Into a cinematic composition that is both masterful and crafted, well.

Lost Highways delivers action, horror and eroticism with cinematic dreamlike montages.

“From this inventory of imagery, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), tortured by the notion that his wife is having an affair, who suddenly finds himself accused of her murder.

The other is a young mechanic (Balthazar Getty) drawn into a web of deceit by a temptress who is cheating on her gangster boyfriend. These two tales are linked by the fact that the women in both are played by the same actress” (Patricia Arquette)

–Source: Wikipedia

Underplaying, dramatic and “bodaciously” authentic is Patricia Arquette. I dare invent a brand new adjective onto the English language: “Bodaciously” (Pronounced: Boda-Ciou-Sly) is to describe talent, beauty and charisma. Taken from Surrealist interpretation to the art of film, seen thought the works of David Lynch. In film and art he dared to be unrelenting while finding ways to work with big Hollywood studios.

In Film & Art: David Lynch Gallery

The gallery is meant to illustrate both visual story guideline and reference footnotes. Along with the essay, the author wishes to instill both educational and cultural perspective. On the topic about film criticism and remembering one of my heroes, in film and art.

Blue Velvet: College student Jeffrey Beaumont (Kyle MacLachlan) returns home after his father has a stroke. When he discovers a severed ear in an abandoned field, Beaumont teams up with detective’s daughter Sandy Williams (Laura Dern) to solve the mystery”

–Source: Wikipedia

Mulholland Dr: “A dark-haired woman (Laura Elena Harring) is left amnesiac after a car crash. She wanders the streets of Los Angeles in a daze before taking refuge in an apartment. There she is discovered by Betty (Naomi Watts), a wholesome Midwestern blonde who has come to the City of Angels seeking fame as an actress”.

–Source: Wikipedia

Lost Highways: “From this inventory of imagery, Lynch fashions two separate but intersecting stories, one about a jazz musician (Bill Pullman), tortured by the notion that his wife is having an affair, who suddenly finds himself accused of her murder”.

–Source: Wikipedia

Eraserhead:Henry (John Nance) resides alone in a bleak apartment surrounded by industrial gloom. When he discovers that an earlier fling with Mary X (Charlotte Stewart) left her pregnant, he marries the expectant mother and has her move in with him. Things take a decidedly strange turn when the couple’s baby turns out to be a bizarre lizard-like creature”

–Source: Wikipedia

Twin Peaks:Fire Walk With Me. In the folksy town of Deerfield, Wash., FBI Agent Desmond (Chris Isaak) inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters”

–Source: Wikipedia


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David Lynch: Selected Paintings

In Film, Mise-en-Scene is a way to interpret compositional, topic matter arrangement. Relating to setting a proper scene between direction and composition. These elements include but are not limited to: Artist dialog screenplay, wardrobe, cinematography, score, special effects and setting a proper composition.

Contrary to film, Lynch’s paintings blend gestural brushwork with typography and found object assemblage. Equally important is the notion behind displaying his paintings with my top five films. To analyze Surrealist topic matter as a guiding inspiration. Moreover, I emphasize how Surrealism is an extension between the art of film and unknown terrain. Seen through uncanny lenses, behind the artist eye lies an intentional landscape. Action!

The next note, from our friends at Art In America. Concerning placement and history. On Lynch’s painting vs. filmmaking in mind. Arts Journal agrees to the contrary. The paintings can be seen as an outline to further understand his creative process. I read them as visual storyboards with gestural painterly patterns.

“In a 2014 write-up for Hyperallergic, Thomas Micchelli asked if anyone would care about Lynch’s fine art career if he weren’t “one of the few truly visionary directors of our time,” but he didn’t get more than a couple paragraphs before admitting that his question’s premise was flawed. It’s surprisingly hard to separate Lynch’s fine art practice from his filmmaking.” –Source: Art In America.

The following, a note about Surrealist experiences from the father himself. Guillaume Apollinaire onward, men. We go on. Source–Wikipedia.

This new alliance—I say new, because until now scenery and costumes were linked only by factitious bonds—has given rise, in Parade, to a kind of surrealism, which I consider to be the point of departure for a whole series of manifestations of the New Spirit that is making itself felt today and that will certainly appeal to our best minds. We may expect it to bring about profound changes in our arts and manners through universal joyfulness, for it is only natural, after all, that they keep pace with scientific and industrial progress. (Apollinaire, 1917)[13]

Surrealist Gallery & The Interpretation of Lynch.

Film captures the fourth dimension (time) with enormous sophistication. In twenty five frames per second, movement is seen and capture. Battleship Potemkin was the first film (1925) to introduce cinematic elements like: montage, double exposures with innovative editing techniques. Truly an avant-garde movie, (ie: ahead of time). To a generation of film makers dedicated to expressing surrealism with juxtaposing forms. Lynch, Scorsese, Malick, Nolan, Buñuel and Anderson. Battleship essentially lends itself to fundamental elements. Interpretative inspiration to us all, with love and action!

“A technical masterpiece, Battleship Potemkin is Soviet cinema at its finest, and its montage editing techniques remain influential to this day”. –Rotten Tomatoes

The Footnote: References for further research UX.

David Lynch imagery. Created by graphic artist Salvador DC.

David Lynch Autobiography: David Keith Lynch (January 20, 1946 – January 15, 2025) was an American filmmaker, visual artist, musician, and actor. Considered one of the most important filmmakers of his era, Lynch was often called a “visionary” and was acclaimed for films often distinguished by their surrealist qualities. In a career spanning more than 50 years.

Surrealism is an art and cultural movement that developed in Europe in the aftermath of World War I in which artists aimed to allow the unconscious mind to express itself, often resulting in the depiction of illogical or dreamlike scenes and ideas.[1] Its intention was, according to leader André Breton, to “resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality”, or surreality.[2][3][4] It produced works of painting, writing, theatre, filmmaking, photography, and other media as well.

In A Book of Surrealist Games, readers are invited into the captivating realm of Surrealism, where creativity knows no bounds. This comprehensive collection of the techniques used by the artists and poets of the Surrealist school explores the movement’s radical approach to art and thought, offering a collection of games and techniques that serve as both historical document and practical manual for unlocking the unconscious mind.

Communities for Latin X creators are amongst churches to sanctuary spaces, for all. Northern Manhattan Arts Alliance symbolizes my creative gathering, to make arts and crafts == to fine art moments in time. Thank you.


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