Category: Lessons In Modern Art
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Salvador Dc “M+87 Doodle Works” Circa 7/31/87-26
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in Art, Art Criticism, Art Journal Magazine, Art On Paper, Artist Books, Between two ferns, BookCLub, Contemporary Philosohy, Creative Fiction, Culture, Curatorial Exhibition, Digital Design, Digital Memoir, Drawing, Dynson Sol, Dyson Sol, Editorial Design, Essay-Fiction, Fine Art, Fine Art Photography, Fine Arts Brand, Gonzo, graphic design, Lessons In Modern Art, poetry in motion, postmodernism, Sketch Book Series, Studio Walls DCThe essay features a narrative by Salvador DC, exploring his artistic journey through personal memories and inspirations. It discusses influences from notable artists like Francis Bacon and Amy Sillman while addressing contemporary art themes. The dialogue intertwines philosophy, creativity, and science, showcasing a retrospective of Salvador’s sketchbooks and artworks developed over three decades.
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August 1st to 8/18/25
Modern art has faced varied criticism, ranging from aesthetic judgments to societal values. Understanding contemporary art requires discerning the balance between modernity and post-modernity, while societal norms influence taste. Artistic expressions often provoke discomfort, and the evolution of art criticism reflects broader ideological shifts. The dialogue surrounding art continues to challenge traditional values.
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July 5th, 2025
Tuesday, parents trip to Beacon NY. Wednesday, waked two miles back and forth, Dia Beacon Closed. Minus fireworks, whilst strolling. Thursday, fireworks and a movie, about the founding fathers. Finally attended Dia Bacon on Thursday. Also was capable of puff them trees. Saturday, IG sweating it to First Beauty and First Honey (xxx). On some…
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Notes On Conceptual Art
Conceptualism ( or Conceptual Art-Wiki ) is a movement in art history, asserting ideas over visual emphasis in a work of art. An often misunderstood labeling imposed by the non-art public on these works of art as “abstract in nature” calls for a closer investigation
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When Abstraction Was Cool
A work of art should no longer be a mirror held up to man or nature. A painting should compel the viewer to see it for what it is: A certain arrangement of colors, forms, lines and textures on a surface { Exploring Abstract Expressionism }


